Work categories:Transforming Films Sculptures Chinese Whispers Dutch Masters - Flower Paintings Dutch Masters - Portraits Pixelated Paintings Neon Line Drawings Composite Portraits Light Paintings Neon Details Grid Pictures Spectrum Circles Luminograms Vertical Lines Colour Spirals Light Drawings Multi-Coloured Lines Neon Landscapes Mag Lights Coloured Light Projections Light Paintings Harmonographs Orbs Photographs Ben-Day Dot Postcard Details Painting Photographs Paint Pigment Photographs Paper Photograph Paper Photograms Yoga Photograms Diamond Photograms Touched Other Photograms Neon Works Neon Line Drawings Postcards from Vegas Neon Light Works Miscellaneous Sculptures Unconscious Paintings Public Perception of Colour
Bronze Oak Grove
1 June – 30 September 2017
North Flower Walk
Kensington Gardens, London W2 3XA
Making its debut in the North Flower Walk in Kensington Gardens, Bronze Oak Grove, a brilliantly executed, monumental installation consists of nine identical bronze tree stumps sited in a circular arrangement to represent an ancient oak grove.
Rob and Nick Carter are delighted to be among the very few artists to ever show contemporary sculpture in Kensington Gardens. With Bronze Oak Grove they have managed to create a uniquely immersive installation so realistic it defies belief – a feat of engineering using advanced 3D scanning, printing and centrifugal bronze casting.
Bronze Oak Grove is a welcoming, inclusive addition to the gardens this summer – an artwork you can walk around, sit on, interact with, a place to relax, think and play. The public are actively encouraged to engage with the work to bring it alive and participate in the creative process, including an exciting programme of events inspired by this exhibition throughout the summer.
For a number of years, the Carters have been inspired by the work of Jacob de Gheyn II (1565–1629), a draughtsman, painter and engraver who was a contemporary of Rembrandt during the Dutch golden age. De Gheyn's work marks the transition from late 16th-century Mannerism to the more naturalistic style of the early 17th century and he was recognized as a giant in his time, though little known today. The Carters’ oak grove consists of nine identical tree stumps, fabricated in bronze, which take as their starting point De Gheyn’s botanical drawing from 1600.
Throughout history the oak tree has been held in high esteem and is considered the most venerated tree in European culture. Dense forests of oak once covered most of Northern Europe and in those days the oak was held most sacred. Oak groves were used as pagan places of worship and the oak, used in a combination of rituals with certain spells, was considered a sure charm against witchery. People frequented the oak for its curative powers - its wood was used for building, its branches for fuel, its acorns for food and its leaves to promote healing. Famed for its endurance and longevity, it is synonymous with strength and steadfastness.
With their Bronze Oak Grove, the Carters emphasise the strong association between human civilisations and oaks, and create a contemporary space for gathering and dialogue. This will be brought to life through interactive ‘Meet the Artists’ sessions with the public, walking tours inspired by the exhibition and the Parks’ natural heritage, storytelling events for families and sensory art workshops for local community groups. For more details, visit The Royal Parks’ website, What’s On page.
The best entrance to the park, for Bronze Oak Grove, is via Marlborough Gate which is opposite the Lancaster Gate Hotel. Entering the park via this gate, turn right and you will find Bronze Oak Grove after 200m.
Museum van Loon
3 March – 29 May 2017